On Ethan Hickey's science fiction feature Falsehood, I took the film from concept art and set construction, including a 3D-printed face prop and an LED-lit weapon, through four months of visual effects. For director Lane Bishop I designed three Christmas films in a row, then the back-to-back thrillers Her Deadly Night in Paris and The Venice Murders, shot on location in Paris, Venice and Nice. I art directed Alex Noyer's folklore horror Love Is the Monster, and as prop master on the thriller The Unrestricted War I built working electronic devices and a 3D-printed virus container.